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1. Peking Opera Makeup: Xiang Yu
IN THIS issue we would like fro introduce you to Xiang Yu, the main character in the famous Peking Opera Bawang Bie Ji (Xiang Yu Bids Farewell to His Concubine).Xiang Yu (232-202 B.C.), also called
Author: HUO JIANYING Year 1995 Issue 3 PDF HTML
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2. The Peony, China's King of Flowers
FOR SOMETHING like 1,500 years the peony has been regarded as the symbol of wealth, luck and happiness in China. The stem is an important ingredient in traditional herbal medicine, good for blood
Author: HUO JIANYING Year 1995 Issue 4 PDF HTML
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3. Peking Opera Makeup: Cao Cao
CAO CAO (A.D. 155-220) was ruler of the kingdom of Wei in the Three Kingdoms Period. Also known as Cao Mengde, he was born in the Qiao region (now Bo County in Anhui) and has won his place in history
Author: HUO JIANYING Year 1995 Issue 4 PDF HTML
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4. Bao Zheng
ONE OF the most popular characters in Peking Opera is Bao Zheng (999-1062), a scrupulously honest official of the Northern Song Dynasty (960-1127).In Peking Opera his makeup belongs to the category
Author: HUO JIANYING Year 1995 Issue 7 PDF HTML
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5. The Hometown of Xuanzang - Notes of a Visit to Yanshi
FOUR YEARS ago, at the invitation of a friend who lived there, I went to visit Yanshi, in western Henan Province. My friend told me that Yanshi had been the capital of seven dynasties, and was the
Author: HUO JIANYING Year 1995 Issue 10 PDF HTML
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6. Xujia
MANY Peking Opera plots revolve around good and bad officials in history, who respectively represent justice and evil. In this issue we are going to introduce one of the main roles in the Peking
Author: HUO JIANYING Year 1995 Issue 10 PDF HTML
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7. China in the Year 1000
January 1, 1000, was just another day for the Chinese. Because China did not adopt the Gregorian calendar until January 1, 1912, no one knew that the day (actually the 11th lunar month of the second
Author: HUO JIANYING Year 2000 Issue 1 PDF HTML
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8. How the Tang Tri-color Simplified Imperial Burials
TANG San Cai, or Tang Tri-color (tri-color pottery of the Tang Dynasty), was created as burial objects. Its existence relates closely to the political system and burial rituals of the Tang Dynasty
Author: HUO JIANYING Year 2001 Issue 3 PDF HTML
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9. Women of the Tang Dynasty
DURING China's feudal epoch, society was male-centered. There was consequently a pervasive belief in man's superiority over woman that continued as the ruling ideology throughout feudal society.
Author: HUO JIANYING Year 2001 Issue 11 PDF HTML
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10. Recruiting Talent to Rejuvenate the Han Dynasty
THE huge military formation of terracotta warriors and horses guarding Qinshihuang's tomb were unearthed in the 1970s after more than 2,000 years. The grand scale and consummate workmanship of this
Author: HUO JIANYING Year 2001 Issue 12 PDF HTML